Vitae

b. New Haven, CT 1981

Education

2008 M.F.A. Painting, University of Connecticut.
2004 B.A. Drawing, Coker University, Hartsville, SC.

Selected Employment

2024- James Avery Professor, School of Art & Design, African American Studies, University of Illinois at Urbana-Champaign.
2023- Director’s Fellow (inaugural), School of Art & Design, University of Illinois at Urbana-Champaign.
2020- Chair of Studio Art, School of Art & Design, University of Illinois at Urbana-Champaign.
2015-2024 Associate Professor, School of Art & Design, African American Studies, University of Illinois at Urbana-Champaign.
2009-2015 Assistant Professor, School of Art & Design, University of Illinois at Urbana-Champaign.

Selected Solo Exhibitions

2023 Bryan Art Gallery, Coastal Carolina University, Conway, SC.
  The Sheldon, St. Louis MO.
2021 Freeport Art Museum, Freeport, IL.
  Crooked Tree Arts Center, Traverse City, MI.
2019 Melton Gallery, University of Central Oklahoma, Edmond, OK.
2017 Kruger Gallery, Marfa, TX.
  Wriston Art Center, Appleton, WI.
2016 Kruger Gallery, Chicago, IL.
2015 Greymatter Gallery, Milwaukee, WI.
2014 Visual Arts Gallery, University of Wyoming, Laramie, WY.
  Gallery 406, Elon University, Elon, NC.
  Porter Butts Gallery, University of Wisconsin, Madison.
2013 Greymatter Gallery, Milwaukee, WI.
2011 Boseman Gallery, University of North Carolina, Wilmington, NC.
2010 Stewart Center Gallery, Purdue University, West Lafayette, IN.
2009 Jewett Art Gallery, Wellesley College, Wellesley, MA.

Selected Group Exhibitions

2024 Lunch Break: Arts/Industry in Between, John Michael Kohler Art Center, Sheboygan, WI.
  The Sci-Fi Show, Gallery1988, Los Angeles, CA. (curated by Scott Listfield)
2023 Just Cause: The Power of Contemporary Art in Social Engagement, Mesa Contemporary Arts Museum, Mesa, AZ. (curated by Colette Pecenka, Curator, Mesa Contemporary Arts Museum; Frank Gonzales)
  Social Justice Billboard Project, Northeast Sculpture | Gallery Factory, Minneapolis, MN. (curated by John Hock, Director NE Sculpture | Gallery Factory)
2022 Black on Black on Black on Black, Krannert Art Museum, Champaign, IL. (co-curated with Stacey Robinson, Blair Ebony Smith, Nekita Thomas)
 

In Blackest Shade, In Darkest Light, Giertz Gallery, Champaign, IL. (traveling exhibition)

  • Shircliff Gallery of Art, Vincennes University, Vincennes, IN, February 16-March 15, 2024.
  Liberating the Figure, Zhou B. Art Center, Chicago. (curated by Sergio Gomez, Director, Zhou B. Art Center; Didi Menendez)
  Black Artists Matter, Studio 6, Chicago. (curated by Damien James, Director, Studio 6)
  MIRROR | ЯOЯЯIM: Self-Portrait Drawings in the Expanded Field, Bo Bartlett Center, Columbus State University, Columbus, GA. (curated by Jonathan Frederick Walz, PhD, Director of Curatorial Affairs & Curator of American Art, The Columbus Museum)
2021 Decahedron, Artists on the Lam. (curated by Jenny Lam)
  Couples, 33 Contemporary, Chicago, IL. (curated by Daniel Maidman)
2020 We Are More Than A Moment, MCLA Gallery 51, North Adams, MA. (curated by Genevieve Gaignard)
  BE REAL BLACK, FOR ME, Madlozi Art Gallery, Johannesburg, Gauteng, South Africa. (curated by Beathur Mgoza Baker, Director, Madlozi Art Gallery; Imraan Jeeva)
  Curating The End Of The World, New York Live Arts and Black Speculative Arts Movement. (curated by Reynaldo Anderson; Tiffany E. Barber; Stacey Robinson)
2019 Painting The Figure Now, Zhou B. Art Center, Chicago. (curated by Sergio Gomez, Director, Zhou B. Art Center; Didi Menendez)
 

Men of Change: Power. Triumph. Truth., National Underground Railroad Freedom Center, Cincinnati, OH, August 17-December 1. (traveling exhibition)

  • Washington State Historical Society, Tacoma, WA, December 21, 2019-March 15, 2020.
  • California African American Museum, Los Angeles, CA, August 1, 2020-May 20, 2021.
  • African American Museum, Dallas, TX, June 26-September 19, 2021.
  • Charles H. Wright Museum of African American History, Detroit, MI, October 9, 2021-January 2, 2022.
  • Reginald F. Lewis Museum, Baltimore, MD, February 11-August 14, 2022.
  • Levine Museum of The New South and Harvey B. Gantt Center for African-American Arts + Culture, Charlotte, NC, October 8-March 12, 2022.
  • International African American Museum, Charleston, SC, June 17-August 6, 2023.
  • Birmingham Civil Rights Institute and Birmingham Public Library, Birmingham, AL, September 16-December 2, 2023.
  Parent Portraits, Westbeth Gallery, New York. (curated by Robert Bunkin)
2018 Painting The Figure Now, Wausau Museum of Contemporary Art, Wausau, WI. (curated by David Hummer, Director, Wausau Museum of Contemporary Art; Walt Morton)
  Portraits of Who We Are, David C. Driskell Center, University of Maryland, College Park, MD. (curated by Curlee R. Holton, Executive Director, David C. Driskell Center; Dorit Yaron, Deputy Director, David C. Driskell Center; advised by Dr. Michael D Harris, Associate Professor of Art History, Emory University)
2017 SUPERnatural, Aureus Contemporary, New York. (curated by Karim Hamid)
  Impolite-ic Politics, Lunder Art Center, Cambridge, MA. (curated by Matthew Cherry, artist and Professor, Lesley University)
2016 FREAK OUT!, Zhou B. Art Center, Chicago. (curated by Sergio Gomez, Director, Zhou B. Art Center; Didi Menendez)
  JUSTICE! Alternative Voices and Progressive Themes in Comics, Catich Gallery, Davenport, IA. (curated by Christopher Reno, Director, Catich Art Gallery)
2015 What’s Inside Her Never Dies, Yeelen Gallery, Miami. (curated by Karla Ferguson, Director, Yeelen Gallery)
  Beautiful Tonight: Highlights from the JPMorgan Chase Art Collection, Cafeina, Miami. (curated by Lisa Erf, Chief Curator and Director, JPMorgan Chase Art Collection)
  The Artist’s Gaze, Sirona Fine Art, Miami. (curated by Timothy Smith, Director, Sirona Fine Art; Didi Menendez)
  Painting is Dead?!, Figure One Gallery, Champaign, IL. (curated by Rehema C. Barber, Chief Curator, Kalamazoo Institute of Arts)
2014 The Intuitionists, The Drawing Center, New York. (curated by Heather Hart; Steffani Jemison; Jina Valentine, Professor, University of North Carolina-Chapel Hill)
  Fixation, Zhou B. Art Center, Chicago. (curated by Sergio Gomez, Director, Zhou B. Art Center; Didi Menendez)
  Arts/Industry Collaboration and Revelation, John Michael Kohler Art Center, Sheboygan, WI. (curated by Ruth DeYoung Kohler, Director, John Michael Kohler Arts Center)
2013 From Motion to Stillness, Zhou B. Art Center, Chicago. (curated by Sergio Gomez, Director, Zhou B. Art Center; Didi Menendez)
  Meditations on Emancipation in the 21st Century, Lederer Gallery, State University of New York, Geneseo. (juror: Cynthia Hawkins, Director, Lederer, Bridge, and Lockhart Galleries, State University of New York)
2012 Art From the Heartland, Indianapolis Art Center, Indianapolis, IN. (juror: Paula Katz, Director and Curator, Herron Galleries, Herron School of Art and Design)
  Fantastic Blackness: The Art and Politics of the Black Superhero, West Gallery, California State University, Northridge, CA. (curated by Adilifu Nama, PhD, Professor, Loyola Marymount University; consulted by John Jennings, artist and Professor, University of California at Riverside.
  Form Follows Figure, NEIU Fine Arts Center, Northeastern Illinois University, Chicago. (curated by Heather Weber, Director, NEIU Fine Arts Center, Northeastern Illinois University) 
2011 Midwestern Voices and Visions, Coalition Gallery, Chicago. (curated by Elizabeth Chodos, Executive Director, Ox-Bow)
  Charged Brushes, The Painting Center, New York. (curated by Robert Bunkin, artist and Professor, Parsons The New School For Design; Colleen Randall, artist and Professor, Dartmouth College)
2010 Human Conditions, Claypool-Young Art Gallery, Morehead State University, Morehead, KY. (curated by Jennifer A. Reis, Director, Claypool-Young Art Gallery, Morehead State University)
  Nord Art, Kunstwerk Carlshütte, Büdelsdorf, Germany.
  Drawing Discourse, S. Tucker Cooke Gallery, University of North Carolina, Asheville, NC.
2009 HEADshots, Reisman Hall Art Gallery, Cazenovia College, Cazenovia, NY. (curated by Jen Pepper, Director, Reisman Hall Art Gallery, Cazenovia College)
  NAACP We Are One Hundred: Yesterday, Today, Tomorrow, ArtSpace, Norwich, CT. (juror: Barkley L. Hendricks)
2008 Pentameter, Kathleen Cullen Gallery, New York. (traveling exhibition) (curated by Barry Rosenberg, Director, Contemporary Art Galleries, University of Connecticut)
  Coast to Coast, Dakshinachitra Museum, Chennai, India. (curated by Kathryn Myers, artist and Professor, University of Connecticut) 
  Pentameter, William Benton Museum of Art, Storrs, CT. (traveling exhibition) (curated by Barry Rosenberg, Director, Contemporary Art Galleries, University of Connecticut)
2007 Figure 8, Trahern Gallery, Austin Peay State University, Clarksville, TN. (curated by Kell Black, artist and Professor, Austin Peay State University)

Collaborative Projects

2021-2026

BIPOC Initiative, The Freeport Art Museum, Freeport, IL.

Barry Treu and I launched the Initiative to promote inclusivity and foster community engagement. This initiative secures five years of funding for BIPOC artists and establishes a community-led exhibition committee to curate ten shows, including public programming.
2018

Counterpoint Project, The Schomburg Center for Research in Black Culture, New York, NY.

Endalyn T. Outlaw and I created the project to showcases artwork, performances, and conversations highlighting the significant contributions of Black dancers and artists. Its goal is to inspire young creatives by celebrating diverse voices and experiences in the arts.

Special Archives

2023 The Lunar Codex, Earth’s Moon, Sol System, Orion Arm, Milky Way Galaxy. (curated by Samuel Peralta, physicist, author, composer, film producer)

Curated Projects

2022 Black on Black on Black on Black, Krannert Art Museum, Champaign, IL. (co-curated with Stacey Robinson, Blair Ebony Smith, Nekita Thomas)
  In Blackest Shade, In Darkest Light, Giertz Gallery, Parkland College, Champaign, IL.
  • Shircliff Gallery of Art, Vincennes University, Vincennes, IN, February 16-March 15, 2024.
2021 Tyanna Buie: EMBODIMENT(S), Freeport Art Museum, Freeport, IL.
2013 Joshua Hagler: The Unsurrendered, with Jimmy Luu, Figure One Gallery, Champaign, IL.

Selected Visiting Lecturer | Critic

2024 Saint Louis Art Museum.
2023 Coastal Carolina University.
  Wake Forest University.
2022 Krannert Art Museum.
2021 University of California at Riverside.
  Wellesley College.
  James Madison University.
2020 Texas Tech University.
  We Got Next, University of Illinois.
  University Insights, University of Illinois.
2018 Hope College.
  The Schomburg Center for Research in Black Culture.
2017 Lawrence University.
  University of Connecticut.
2016 Ball State University.
2015 The Art Institute of Chicago.
2014 University of Wyoming.
  Elon University.
  University of Iowa.
2013 University of New Mexico.
  Ithaca College.
  Stony Brook University.
2009 Skidmore College.
  Wellesley College.
2008 William Benton Museum of Art.
  Alfred University.

Public and Private Collections

  David C. Driskell Center, College Park, MD.
  Del Mar College, Corpus Christi, TX.
  John Michael Kohler Art Center, Sheboygan, WI.
  JPMorgan Chase Art Collection, New York, NY.
  Kinsey Institute, Bloomington, IN.
  Kohler Company, Kohler, WI.
  Purdue University, West Lafayette, IN.
  Lawrence University, Appleton, WI.
  University of Illinois, Champaign, IL.
  William Benton Museum of Art, Storrs, CT.

Awards | Grants

2024 Illinois Artist Council Fellowship.
2022 Mellon Foundation Grant.
2019 Finalist, Alexander Rutsch Award.
2017 Puffin Foundation Grant.
2016 Arnold O. Beckman Research Award.
2013 College of Fine and Applied Arts Creative Research Award.
2012 Finalist, Dave Bown Projects Award.
2011 Arnold O. Beckman Research Award.
  Midwestern Voices and Visions Award.
2010 Tanne Foundation Award.
2009 University of Illinois Research Board Award.
2008 Alice C. Cole ’42 Fellowship (inaugural), Wellesley College.

Residencies

2024 Millay Arts Residency.
2011 John Michael Kohler Art Center Arts/Industry Residency.
2009 Wellesley College Studio Art Residency.

Workshops

2023 Alia Fine Art Studios, Raleigh, NC.
2011 John Michael Kohler Art Center, Sheboygan, WI.

Commissions

2023 Counterpoint Project: Cira Robinson, Social Justice Billboard Project, Northeast Sculpture | Gallery Factory, Minneapolis, MN.
2022 Willie Reed Portrait, Dean, College of Veterinary Medicine, Purdue University, West Lafayette, IN.
  Vamp Volume 1, Trade Paperback, Seven Cover Inserts, Mythos Comics, Los Angeles, CA.
2021 Mark Berstein Portrait, 16th President, Office of the President, Lawrence University, Appleton, WI.
  Splitting 650 Cover, Ja Nelle Davenport-Pleasure, Urbana, IL, October.
2020 Vamp Issue 4, Variant Incentive Cover, Mythos Comics, Los Angeles, CA.
  Albert R. Lee Portrait, University of Illinois Office of the Chancellor, Champaign, IL.
2018 Romare Bearden Portrait, Smithsonian Institution, Washington, DC.

Selected Press

2024 Doerr, Kevin, “Building Naming Recognizes Dr. Willie Reed’s Pioneering Deanship” Purdue Veterinary Medicine, July 31.
  Doerr, Kevin, “Purdue Dignitaries Join PVM Faculty, Staff, Students and Alumni at Reception Honoring Dr. Willie Reed” Purdue Veterinary Medicine, July 19.
  Carie, Nichole, “Contributing to Black History Today,” First City Focus, Public Broadcasting Service, February 24.
2023 INTERVIEW Johnson, Amber, “The Future of Graduate Education,” Critical Futures Podcast, September 17.
  INTERVIEW Armstrong, Kristin, “Meet Patrick Earl Hammie,” CanvasRebel Magazine, August 28.
  INTERVIEW Reifsteck, Terri, and McCrory-McKay, Carly “Episode 9: Black Audacious Joy-A Celebration through Art,” Chambana Proud Podcast, February 9.
2022 Domal, Debra, “The art of Black on Black on Black on Black explores Black memories, identities, and spaces,” Smile Politely, October 27.
  Mackey, Brain, Hatfield, Christine, Zepeda, Jose, “Touring Black on Black on Black on Black art exhibition,” The 21st, WILL Illinois Public Media, October 11. 
  Belaval, Ana, Skryd, Natalie, “Around town Previews ‘Black Artists Matter’ exhibition at Studio 6,” Chicago’s Very Own WGN9, June 16. 
  Heckel, Jodi, “Illinois artist’s portrait of student advocate Albert Lee will be formally dedicated Feb. 1,” Illinois News Bureau, January 25. 
2021 Heckel, Jodi, “Artist’s solo show emphasizes Black resilience through historic vigilantism,” Illinois News Bureau, November 20.
  Boose, Yvonne, “Art museum commits to five years of including people of color in their exhibitions,” Northern Public Radio, November 3.
  Rinck, Jonathan, “Patrick Earl Hammie and Charles Mintz @ Crooked Tree Arts Center,” Detroit Art Review, October 16.
  Hardaway, Brittany, “Two new solo exhibitions at Freeport Art Museum open Oct. 23rd,” 13 WREX, October 15.
  Gallagher, Danny, “African American Museum of Dallas Hosts New Smithsonian Exhibit Men of Change,” Dallas Observer, July 27.
  Gay, Mikayla, “Moorpark College Art Gallery presents Artist Patrick Earl Hammie along with his ‘Birth Throes’ project,” Moorpark College Reporter, February 17.
  Sutton, Benjamin, “10 Must-See Shows at Black-Owned Galleries You Can View Online,” Artsy, February 4.
  O’Hern, John, “Inner and Outer,” Poets/Artists, January.
2020 INTERVIEW Bell, Carla, “‘Men of Change’ exhibit at Washington State History Museum tells the stories of Black men’s lives,” The Seattle Times, March 2.
  Clayton, Alec, “Revolutionary African-American men,” Weekly Volcano, January 23.
  Russell, Angela, “Smithsonian exhibit honoring ‘men of change’ now opened in Tacoma,” KING 5 NEWS, January 9.
2019 Hammie, Jessica, “Have you seen them? ‘Men of Change’ at the National Underground Railroad Freedom Center,” Sixty Inches From Center, November 26.
  INTERVIEW Cybulkiewicz, Efrat, “Patrick Earl Hammie,” AR[ T ]MOIRE, November 20.
  INTERVIEW Enwonwu, Oliver and Oyindamola Olaniyan, “Patrick Earl Hammie: Cultural Identity, Social Equity and the Black Body,” Omenka, March 18.
2018 Barbas, Alicia. “School of Art and Design faculty exhibition tells cultural stories,” The Daily Illini, December 2.
  INTERVIEW Storm, Rachel Lauren. “Art Now! – Episode 95 – Patrick Earl Hammie,” Urbana Public Arts Program, November 14.
  Dixon, Elsabé Johnson. “East City Art Reviews: Portraits of Who We Are,” East City Art, February 21.
  Siler, Brenda C. “Artists Take a Look at Self in New Exhibition,” The Washington Informer, February 7.
  O’Reilly, Allison. “Driskell Center’s “Portraits of Who We Are” exhibit explores African-American identity,” The Diamondback, February 4.
2016 Heckel, Jodi. “Solo exhibition at Krannert Art Museum focuses on images of the Niger Delta,” Illinois News Bureau, November 11.
  INTERVIEW Manolas, Dimitris. “Patrick Earl Hammie,” The Vanderbild, June.
  Miller, Chris. “More about life than art: A review of Patrick Earl Hammie at Kruger Gallery Chicago,” Newcity Art, March 14.
  Stanley, Craig. “What’s Inside Her Never Dies: Painting Black Beauty and Strength (Photo),” NBC News, January 10.
  INTERVIEW George, Milton. “I’m Patrick Earl Hammie, And This Is How I Create,” Creative Monday Magazine, January 3.
2015 Seed, John and Didi Menendez, “50 Memorable Painters 2015,” Poets/Artists Magazine, December.
  Spencer-Stonestreet, Tracy. “Artist to Watch,” International Review of African American Art, Volume 25 Issue No 3, Spring.
2014 INTERVIEW Palmer, Jennifer. “Interview with Patrick Earl Hammie,” Dialogist, December 8.
  DaLuz, Steven. “The Power of Drawing,” PoetsArtists Magazine #59, December.
  Buhmann, Stephanie. “Buhmann on Art (Photo),” The Villager Newspaper, July 24.
  Maidman, Daniel. “Celebration,” PoetsArtists Magazine #56, June.
  Juggernaut, Cujo Art. “THE(UN)FAIR is Back, Bigger, & More Popular Than Ever – Opening (Photos),” Artiholics, March.
  INTERVIEW Mansfield, Brontë. “Significant Other Interview with Artist Patrick Earl Hammie,” MODA Magazine, March.
  Vaughn, Katie. “Nudity, Identity and Expectations at the Memorial Union Galleries,” Madison Magazine, February.
  INTERVIEW Piowaty, Deanna Elaine. Is the Impenetrable Black Male a Modern Heroic Myth? Conversation with Chicago Figurative Painter Patrick Earl Hammie, Combustus Magazine, February.
2013 Sliva, Eduardo. Twelve Artists Under 35 To Follow, Line and Stylish Art Magazine, December.
  Loruss, Michael. Patrick Earl Hammie, Dialogist Vol I, Issue III, September.
  Cherry, Matthew Ivan. Significant Other – Patrick Earl Hammie, We Are Not Alone WordPress, August 2.
  INTERVIEW Mussmann, Zina and Quirk, Rachel. Interview – Patrick Earl Hammie, Greymatter Gallery, July 17.
  INTERVIEW Coyne, Rory. Interview with Patrick Earl Hammie, Chicago Contemporary Figurative Art, June 9.
  Corbin, Michael. Patrick Earl Hammie: Narrative Layers, ArtBookGuy, January.
2012 Downs, David. Figure, Face, Identity, Sprocketbox Entertainment, November.
  INTERVIEW Lieu, Clara. Thursday Spotlight: Patrick Earl Hammie, Clara Lieu WordPress, October 18.
  INTERVIEW D’Alleva, Anne. Interview with Patrick Earl Hammie, UConn Art+Art History, June.
  Fox, Charles. Art From the Heartland 2012, NUVO, April 24.
  Harp, Grady. What the Body Says: Power and Vulnerability, PoetsArtists Magazine #33, March.
2011 Watson, Fran. Take It Off ‘NUDE’ at Manifest Gallery, Express Cincinnati, September.
2010 Deitsch, Dina. Studio Visit Magazine, Issue No. 10, June.
  Martin, Craig. Art: Challenges Minority Men Face, News Channel WLFI, January.
2009 Rosu, George. Patrick Earl Hammie, Afield Magazine Magazine, Issue No. 3, August.
  Pitchford, Geoff. Patrick Earl Hammie, Artist A Day, March 9.

Catalogs | Publications

2021 Outlaw, Endalyn T, The Counterpoint Project – When Life Doesn’t Imitate Art, (Re:) Claiming Ballet, ed., Adesola Akinleye, Intellect Books, Chapter 14, May.
  Weems, Carol, Black Artists Matter, Activator Magazine, pp 4-7, March.
  Butler, Philip, Critical Black Futures: Speculative Theories and Explorations, Palgrave Macmillan, pp 114-115, March.
2020 Heijnen, Emiel and Bremmer, Melissa, Wicked Arts Assignments: Practising Creativity in Contemporary Arts Education, Valiz, pp 200-201, October.
  Menendez, Didi, “10 Portrait Artists To Know Right Now,” American Art Collector #178, pp 44-45, August.
  O’Hern, John, “Modernizing Traditions,” American Art Collector #178, pp 60-61, August.
  Aytug, Ali, “Patrick Earl Hammie,” Alice Magazine, July.
2019 O’Hern, John, “Fluid Forms,” American Art Collector #169, pp 172-174, November.
2018 Outlaw, Endalyn T, “Counterpoint Project,” Pivot, Issue 33, Urbana: Dance at Illinois, p 9.
  Painting the Figure Now, Essay by Walt Morton, Bloomington: PoetsArtists.
  Full Blede, Issue Five: The Artifact, Essay by Sacha Baumann, Los Angeles, Cover.
  Transition, no. 125, Essay by Dore Amatesiro, Cambridge: Hutchins Center for African American Research at Harvard University, pp 53-56.
  Portraits of Who We Are, Essays by David C. Driskill, Richard Powell PhD, Deborah Willis PhD, Curlee R. Holton, Cheryl Finley PhD, David Brigham, PhD, Adrienne Childs PhD, and Keren Moscovitch PhD. College Park: David C. Driskill Center, pp 74-75.
2017 Obsidian: Literature & Arts in the African Diaspora, Cover, Vol. 43.1.
  Impolite-ic Politics, Essay by Matthew Ivan Cherry. Cambridge: Lesley University Press, pp 18-24.
2016 INPA 6, Essays by John Giglio, Drake Gomez, and Penelope Przekop. Cincinnati: Manifest Creative Research Gallery and Drawing Center, p 5, 88.
  FREAK OUT!, Chicago: Zhou B. Art Center.
2015 What’s Inside Her Never Dies, Essays by Damien-Adia Marassa and Rehema Barber. Miami: Yeelen Gallery.
  Painting is Dead?!, Essay by Rehema Barber. Champaign: Figure One Gallery, pp 12-14.
2014 The Intuitionists, Essays by Heather Hart, Steffani Jamison, and Jina Valentine. New York: The Drawing Center.
  Arts/Industry: Collaboration and Revelation, Sheboygan: John Michael Kohler Arts Center, pp 262-263.
2013 From Motion to Stillness, Essays by Sergio Gomez and Didi Menendez. Chicago: Zhou B. Art Center, p 6.
2011 Midwestern Voices and Visions, Essay by Caitlin Strokosch. Providence: Alliance of Artist Communities, pp 9-12.
  Nude 3, Essay by Jason Franz. Cincinnati: Manifest Creative Research Gallery, p 13.
  National Self-Portrait Exhibition, Essay by Sergio Gomez. Chicago: Zhou B. Art Center.
2010 Nord Art 2010, Essay by Wolfgang Gramm. Bodelsdorf: Kunst in der Carlshütte, p 54.
  Kinsey Institute Juried Art Show, Essay by Garry Milius. Bloomington: SoFA Gallery Indiana University.
2009 The Nude 2009, Essay by Becky Alley. Lexington: Lexington Art League, pp 19-20.