Wicked Art Assignments

By Emiel Heijnen and Melissa Bremmer Order from Valiz Press, or at Amazon. Wicked Art Assignments: Practising Creativity in Contemporary Arts Education was published this October. I had the pleasure of contributing an assignment from my Advanced Painting Class. This book is sharp, in full color with 100 “assignments” and several interviews with prominent artist-teachers. The assignments collected here connect to the visual arts, performance, theatre, music and design, but more importantly, they encourage cross-disciplinarity. They reflect themes and ways of working in contemporary arts, offering opportunities to learn about ourselves, the arts, and the world. The first part of …

American Art Collector August Issue

Glad to be featured for my contributions to portraiture, and recognized among an amazing group of artists. Thanks Menendez and O’Hern for bringing attention to the current work and thought in contemporary portrait painting. Menendez, Didi, 10 Portrait Artist To Know Right Now, Issue 178, pp. 44-45 O’Hern, John, Modernizing Tradition, Issue 178, pp. 58-61 Get American Art Collector August Issue

Have you seen them? “Men of Change” at the National Underground Railroad Freedom Center

BY JESSICA HAMMIE Read below or view original post. “Have you seen them? You see them. Bold. Powerful.         Tragic. Beautiful.                 And true. They are icons with warrior roots. They are trees of knowledge. Legends of the past, inspiration for the future, the fierce energy of now.” The introductory text to “Men of Change: Power. Triumph. Truth.” paints a picture of what you can expect within the two rooms containing the ambitious exhibition. “Men of Change” highlights the accomplishments and legacies of black American men through text, photography, and artwork from twenty-five American artists. The changemakers — some long gone, many …

AR[ T ]MOIRE Interview

BY EFRAT CYBULKIEWICZ A Q & A with AR[ T ]MOIRE. Read below or view original post. PATRICK EARL  HAMMIE “Whatever path an individual artist chooses, their efforts are woven into the society and cultures that cultivated them and they carry an important role in representing that society’s life cycle.” Patrick Earl Hammie (born in 1981) is a visual artist and professor at the University of Illinois in the United States. Hammie grew up between Connecticut and South Carolina, and traveled the east coast frequently with his family. He graduated from Coker University (2004) with a Bachelor of Arts and the University of Connecticut (2007) with a …

Patrick Earl Hammie: Cultural Identity, Social Equity and the Black Body

BY OILVER ENWONWU AND OYINDAMOLA OLANIYAN Interview with Omenka, Africa’s premium art, business, and luxury-lifestyle magazine. View original post or read 👇🏽 In the third part of our continuing series on artists in diaspora who promote Black identity and pride through their work, we present Patrick Earl Hammie, an African-American visual artist. Patrick Earl Hammie is best known for his large-scale portrait and figurative paintings, which draw from art history and visual culture to examine cultural identity, social equity, and critical aspects of gender and race. Born in New Haven, Connecticut, he received his BA from Coker College and his MFA from the …

Full Blede Issue Five: The Artifact

BY SACHA BAUMANN Glad to have Oedipus featured on the cover of Full Blede Issue Five: The Artifact. It’s great to be included among an amazing group of artists. Thanks Sacha Baumann for bringing us together. In Issue Five: The Artifact, the broadsheet’s collaborators explore that which remains. For some, artifact is a quiet reminder that lingers at present, whether it is outdated or revered; a subtle and sometimes loud ghost of what once was. Artifact also suggests habits, repeated gestures, and behavior. Issue five launched at Chimento Contemporary, in conjunction with the opening reception of Forrest Kirk: Body Count on June 22, …

Painting The Figure Now

BY WALT MORTON AND DIDI MENDENDEZ July 7 – September 18, 2018 RECEPTION: Friday, July 13, 5pm – 7pm Wausau Museum of Contemporary Art 309 McClellan St Wausau, WI 54403 Painting the Figure Now seeks to show quality paintings that investigate the many ways we see the human figure now. Contemporary approaches to portraiture, narrative, and any and all visualizations focusing on the human form in life, action, play, work, and repose. The museum is seeking artists who understand the finest traditions of figurative art. “We believe the human form is an endlessly interesting subject with inexhaustible potential,” says the museum. …

Portraits of Who We Are

BY CURLEE R. HOLTON February 1, 2018 – May 18, 2018 RECEPTION: Thursday, February 1, 5pm – 7pm DAVID C. DRISKELL CENTER 1214 Cole Student Activities Building College Park, MD 20742 The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland is proud to announce its spring exhibition, Portraits of Who We Are, a group exhibition that focuses on self-portraits by African American artists and portraits of African American artists created by their colleagues. The exhibition includes more than 50 works that span from 1915 to 2017 …

Impolite-ic Politics

BY MATTHEW IVAN CHERRY February 2, 2017 – March 5, 2017 Panel and reception (RESCHEDULED): Thursday, February 16, 5 – 8pm Matthew Ivan Cherry – Cesar Conde – Patrick Earl Hammie LUNDER ARTS CENTER 1801 Massachusetts Ave Cambridge, MA 02239 IMPOLITE-IC POLITICS – is an exhibition of large-scale portrait paintings by Matthew Ivan Cherry, Cesar Conde, and Patrick Earl Hammie that considers the state of black and brown male and LGBTQ lives in America to explore gendered and racialized biases and stereotypes, religion, and rights. Through allegory, personal narrative, and portraiture the show proposes how minority experiences can examine, disrupt, and enrich our inherited narratives toward constructive action, discourse, and …

International Painting Annual 6

BY JASON FRANZ My Study After Freud’s Portrait of Francis Bacon is included in the International Painting Annual 6. I’m honored to be included amongst an amazing and diverse group of international artists, with essays by John Giglio, Drake Gomez, and Penelope Przekop. The INPA is an annual publication by Manifest Creative Research Gallery and Drawing Center that supports the documentation and recognition of excellent and relevant painted works from around the world. As a carefully designed book, the INPA enables Manifest to assemble a diverse array of works from around the world to support our inquiry into the creative efforts of artists working today, and serve to …