Dialogist Interview

Interview with Patrick Earl Hammie, by Jennifer Palmer Published: Vol. I, Issue III Date of Interview: Dec. 8th, 2014 You received a B.A. in Drawing and Psychology from Coker College. How did your education play a role in your development? Do you feel your Psychology background plays a role in your process? Having the opportunity to learn at a liberal arts institution was invaluable. I took courses across the college that exposed me to many new ideas and practices, and psychology was one of them. Through those psychology courses I learned to question why we behave, and ask deeper ones about the …

Yeelen Gallery Continues to Offer Thought-provoking Art

BY SHERYL ESTRADA, HUFFPOST ARTS & CULTURE Karla Ferguson, owner/director of Yeelen Gallery (photo provided)  The constructs of law and the concept of art formed a connection for attorney Karla Ferguson resulting in the Yeelen Gallery. I asked Ferguson, owner and director of the gallery, after almost a year in its location, what she wanted people to know. “I’d like people to know that we’re here, and that we’re doing work that has a social message,” she shared with me during my visit to her artistic realm located at 294 N.W. 54th St., Miami in the area known as Little Haiti. …

Q & A with 365 Days | 365 Artists

BY FRANK JUAREZ GALLERY + GREYMATTER GALLERY I recently participated in a Q & A collaborative project that features a new artist each day during 2014. Read below or view original post. PATRICK EARL HAMMIE – CHAMPAIGN, ILLINOIS 365 DAYS | 365 ARTISTS: Briefly describe the work you do. PATRICK EARL HAMMIE: Perhaps more than any other form of image-making, figurative painting has often been interpreted as a reflection of the values of period in which it is produced. My work investigates the expectations built into this canonical genre, probing and dismantling the idealizing impulses that have historically shaped it. I focus specifically on …

Interview with MODA Magazine

BY BRONTE MANSFIELD MODA Magazine and I recently sat down for an interview. Read below or view original post. THE GALLERINA: SIGNIFICANT OTHER-INTERVIEW WITH ARTIST PATRICK EARL HAMMIE Currently on view at the Porter Butts Gallery in the Memorial Union is an exhibition titled “Significant Other” by Patrick Earl Hammie.  Hammie’s large oil paintings of a couple have an impressive presence in the gallery.  The couple, whose nude bodies interact in striking, thought-provoking compositions, are initially a shock to the system of any twenty-something raised in our still-Puritanical culture; we are, even now, not accustomed to viewing the naked human body, and …

Significant Other at Elon University

SOLO EXHIBITION March 14 – April 15, 2014 RECEPTION: Monday, March 17, 12:30pm – 2:30pm ARTIST TALK: Monday, March 17, 5pm – 6pm GALLERY 406 ELON UNIVERSITY 406 W. Haggard Ave. Elon, NC 27244 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he …

Lecture at University of Iowa

PUBLIC LECTURE Thursday, March 6, 6pm – 7pm SCHOOL OF ART AND ART HISTORY UNIVERSITY OF IOWA 141 N. Riverside Dr. Iowa City, IA 52242 Patrick Earl Hammie will discuss his recent project Significant Other, the conceptual sequel to his 2008 project Imperfect Colossi. This work presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Informed by historical representations of Otherness, and recent shifts that locate women and people of color as central influencers of culture and politics, this series …

Interview with Combustus Magazine

BY DEANNA ELAINE PIOWATY Combustus Magazine and I recently sat down for an interview. Read below or view original post. IS THE IMPENETRABLE BLACK MALE A MODERN HEROIC MYTH? CONVERSATION WITH CHICAGO FIGURATIVE PAINTER PATRICK EARL HAMMIE Patrick Earl Hammie’s paintings are immediate, courageous, authentic. From his interracial couples posed in a re-envisioned dance of intimacy, to his unidealized portraits of the Black male nude caught in moments of vulnerability, Patrick Earl Hammie challenges, subtly and sometimes not so subtly, what we think we know and what we have come to expect. And yet, there is also that feeling of recognition. Because who Hammie is ultimately …

Representations of Race/Gender in the Art World’s Recent Past and Today

ORGANIZED BY ALISHA M. ELLIOT Through works by artist of the African Diaspora from 1984 to today, I will discuss representation of black artists and bodies in the recent art world, and facilitate a conversation about how artists and their representations of minorities are participating in popular media. FEBRUARY 5, from 12pm – 1pm Bruce D. Nesbitt African American Cultural Center University of Illinois at Urbana-Champaign 708 S. Mathews St. Urbana, IL 61801

Significant Other at Porter Butts Gallery

SOLO EXHIBITION February 7 – March 25, 2014 RECEPTION: Friday, February 7, 6pm – 8pm PORTER BUTTS GALLERY UNIVERSITY OF WISCONSIN 207 E. Buffalo St. Madison, WI 53706 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he imagines bodies as occasions for …

Patrick Earl Hammie at Gallery Gray

SOLO EXHIBITION October 4 – 31, 2013 GALLERY GRAY Location: Online Gallery Hours: 24/7 365 Perhaps more than any other form of image-making, figurative painting is often read as a mirror of the time in which it is made; the canvas might be uniquely valued as a type of sociohistorical document. Exploring the tension between power and vulnerability, Hammie’s paintings question historical constructions of gender and race to expand the filters through which identity is understood. Blending traditions of the Old Masters with contemporary modes of representation, his portraits use body language and narrative to reconfigure inherited conceptions of ideal …