The National Science Foundation’s Very Large Array — part of NSF’s National Radio Astronomy Observatory in New Mexico. BETTYMAYA FOOTT, NRAO.AUI/NSF (AVAILABLE UNDER CREATIVE COMMONS ATTRIBUTION 3.0
BY BRONTE MANSFIELD MODA Magazine and I recently sat down for an interview. Read below or view original post. THE GALLERINA: SIGNIFICANT OTHER-INTERVIEW WITH ARTIST PATRICK EARL HAMMIE Currently on view at the Porter Butts Gallery in the Memorial Union is an exhibition titled “Significant Other” by Patrick Earl Hammie. Hammie’s large oil paintings of a couple have an impressive presence in the gallery. The couple, whose nude bodies interact in striking, thought-provoking compositions, are initially a shock to the system of any twenty-something raised in our still-Puritanical culture; we are, even now, not accustomed to viewing the naked human body, and …
SOLO EXHIBITION March 14 – April 15, 2014 RECEPTION: Monday, March 17, 12:30pm – 2:30pm ARTIST TALK: Monday, March 17, 5pm – 6pm GALLERY 406 ELON UNIVERSITY 406 W. Haggard Ave. Elon, NC 27244 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he …
SOLO EXHIBITION February 7 – March 25, 2014 RECEPTION: Friday, February 7, 6pm – 8pm PORTER BUTTS GALLERY UNIVERSITY OF WISCONSIN 207 E. Buffalo St. Madison, WI 53706 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he imagines bodies as occasions for …