Premortem

SOLO EXHIBITION + LECTURE October 27 – November 28, 2014 RECEPTION: Friday, November 14, 6:00pm – 8:00pm LECTURE: Thursday, November 13, 7:00pm – 8:00pm, in VA 111 VISUAL ARTS GALLERY UNIVERSITY OF WYOMING 1000 E. University Ave. Laramie, WY 82070 Patrick Earl Hammie: Premortem is a collection of new drawings that focus on closely cropped portraits to explore themes related to agency, maternity, and mortality. Considering the potential representations of the human figure have to reflect the values of the period in which they are produced, Hammie’s work investigates the expectations built into this canonical genre, probing and dismantling the idealizing impulses that have historically shaped it. Drawing on the emotive …

The Intuitionists

BY STEFFANI JEMISON, HEATHER HART, AND JINA VALENTINE, ORGANIZED BY LISA SIGAL July 11 – August 24, 2014 RECEPTION: Thursday, July 10, 6 – 8pm THE DRAWING CENTER 35 Wooster Street SoHo, New York 10013 The Drawing Center will present The Intuitionists, a collaborative project curated by artists Steffani Jemison, Heather Hart, and Jina Valentine, and organized by Lisa Sigal, Open Sessions Curator. Inspired by Colson Whitehead’s 1999 novel The Intuitionist—a work of speculative fiction that explores the relationship between progress, technology, and difference—the exhibition considers how the collection, the database, and the aggregate serve as complementary models for the organization of information and objects …

Arts/Industry: Collaboration and Revelation

GROUP EXHIBITION Through August 31, 2014 JOHN MICHAEL KOHLER ARTS CENTER 608 New York Ave. Sheboygan, WI 53081 ARTS/INDUSTRY: COLLABORATION AND REVELATION is the first-ever retrospective exhibition of the Arts Center’s world-renowned Arts/Industry residency program. This sweeping exhibition surveys more than 350 works of art created by artists using the materials and processes of plumbingware manufacturer Kohler Co. Installed throughout twelve of the Arts Center’s galleries, the exhibition is curated by Arts/Industry’s founder, Director Ruth DeYoung Kohler, and draws primarily from the permanent collections of the Arts Center and Kohler Co. Bust of an American Man (Early 21st Century), 2011-13, plaster.   …

Interview with MODA Magazine

BY BRONTE MANSFIELD MODA Magazine and I recently sat down for an interview. Read below or view original post. THE GALLERINA: SIGNIFICANT OTHER-INTERVIEW WITH ARTIST PATRICK EARL HAMMIE Currently on view at the Porter Butts Gallery in the Memorial Union is an exhibition titled “Significant Other” by Patrick Earl Hammie.  Hammie’s large oil paintings of a couple have an impressive presence in the gallery.  The couple, whose nude bodies interact in striking, thought-provoking compositions, are initially a shock to the system of any twenty-something raised in our still-Puritanical culture; we are, even now, not accustomed to viewing the naked human body, and …

Arts/Industry: Collaboration and Revelation

GROUP EXHIBITION RECEPTION: Friday, March 22, 6pm – 9pm. Click here for details or to purchase tickets. JOHN MICHAEL KOHLER ARTS CENTER 608 New York Ave. Sheboygan, WI 53081   ARTS/INDUSTRY: COLLABORATION AND REVELATION is the first-ever retrospective exhibition of the Arts Center’s world-renowned Arts/Industry residency program. This sweeping exhibition surveys more than 350 works of art created by artists using the materials and processes of plumbingware manufacturer Kohler Co. Installed throughout twelve of the Arts Center’s galleries, the exhibition is curated by Arts/Industry’s founder, Director Ruth DeYoung Kohler, and draws primarily from the permanent collections of the Arts Center …

Significant Other at Elon University

SOLO EXHIBITION March 14 – April 15, 2014 RECEPTION: Monday, March 17, 12:30pm – 2:30pm ARTIST TALK: Monday, March 17, 5pm – 6pm GALLERY 406 ELON UNIVERSITY 406 W. Haggard Ave. Elon, NC 27244 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he …

Lecture at University of Iowa

PUBLIC LECTURE Thursday, March 6, 6pm – 7pm SCHOOL OF ART AND ART HISTORY UNIVERSITY OF IOWA 141 N. Riverside Dr. Iowa City, IA 52242 Patrick Earl Hammie will discuss his recent project Significant Other, the conceptual sequel to his 2008 project Imperfect Colossi. This work presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Informed by historical representations of Otherness, and recent shifts that locate women and people of color as central influencers of culture and politics, this series …

Representations of Race/Gender in the Art World’s Recent Past and Today

ORGANIZED BY ALISHA M. ELLIOT Through works by artist of the African Diaspora from 1984 to today, I will discuss representation of black artists and bodies in the recent art world, and facilitate a conversation about how artists and their representations of minorities are participating in popular media. FEBRUARY 5, from 12pm – 1pm Bruce D. Nesbitt African American Cultural Center University of Illinois at Urbana-Champaign 708 S. Mathews St. Urbana, IL 61801

Significant Other at Porter Butts Gallery

SOLO EXHIBITION February 7 – March 25, 2014 RECEPTION: Friday, February 7, 6pm – 8pm PORTER BUTTS GALLERY UNIVERSITY OF WISCONSIN 207 E. Buffalo St. Madison, WI 53706 Significant Other, the conceptual sequel to Patrick Earl Hammie’s 2008 project Imperfect Colossi, presents a female and a male figure locked in a physical dialogue, hefting weight, and relocating the perceptions of ruined and objectified bodies that recall and carry on complex legacies of suffering and struggle. Drawing on the emotive qualities of Romanticist painting and its use of heroic proportions to engage with political and humanistic expression, he imagines bodies as occasions for …