I AM… THE NIGHT

February 1, 2023

The Sheldon3648 Washington BlvdSt Louis, MO 63108 Reception: Friday, February 11, 5 – 8 p.m. I AM… THE NIGHT travels across the United States and examines the tension between joy and fear. Paintings and prints disrupt nostalgia on Soul Train, a 1971 to 2006 musical variety television show, and widely distributed 19th- and early 20th century lynching photographs. The installation confronts our fears of the Other and proposes that our connection to collective experience allows fresh space for empathy and action. Hammie repurposes the “soul train” here as the “ghost train” of folklore, remembering those legions that are dying and disappearing. He transforms …

Black on Black on Black on Black

September 14, 2022

Krannert Art Museum500 E Peabody DrChampaign, IL 61820 September 22 – December 10, 2022 September 24PYGMALION programming: 12-3 p.m.Panel discussion: 3 p.m.Reception: 4-6 p.m. This exhibition includes work by Patrick Earl Hammie, Stacey Robinson, Blair Ebony Smith, and Nekita Thomas, presented through the lens of the Black Quantum Future, as proposed by Philadelphia-based activists and theorists Rasheeda Phillips and Camae Ayewa. The exhibition is a critical and openly reflective space exploring Black identity, collectivity, positionality, healing, innovation, and education. CLICK HERE TO TOUR MY WORK IN THE EXHIBITION The artists have curated a companion lecture series, community conversations, and a catalogue in conjunction with the exhibition. Find dates …

I AM… LEGEND

October 12, 2021

October 23, 2021 – February 12, 2022 Freeport Art Museum121 North Harlem AvenueFreeport, Illinois 61032 Register for Opening Reception I AM… LEGEND is a collection of wall installations and works on paper that study American experiences haunted by racialized angst and terrorism, visualizing how far we go to allay fear and pursue happiness. Referencing Soul Train and early lynching photographs, Hammie explores embedded anxieties and self-heroization, disrupting nostalgia to propose how personal connections to collective experience allows space for empathy and action. Through the lens of the ethno-Gothic, a sub-genre of horror developed in Black speculative culture, Hammie taps into …

We Got Next, Conversation with Endalyn Taylor and Patrick Earl Hammie

August 13, 2020

“We Got Next” is a five part, webinar series designed to highlight the work and research of faculty of color relevant to race and equality. This effort is led by Endalyn Taylor, professor in the Department of Dance and Dean’s Fellow. Each week, Taylor will be joined by faculty members and special guests to share their research and a live discussion of the work’s creation, impact, relationship to the perpetual pandemic of racism, and the systematic issues brought to the forefront by George Floyd’s murder and other recent events. Graphic design by Stacey Robinson.

Patrick Earl Hammie: My path to Illinois

April 2, 2020

Patrick Earl Hammie is a professor of painting and sculpture at the University of Illinois at Urbana-Champaign. This is the text of a presentation he made to the University of Illinois Board of Trustees and guests on March 11, 2020.

Patrick Earl Hammie: Cultural Identity, Social Equity and the Black Body

March 18, 2019

BY OILVER ENWONWU AND OYINDAMOLA OLANIYAN Interview with Omenka, Africa’s premium art, business, and luxury-lifestyle magazine. View original post or read ?? In the third part of our continuing series on artists in diaspora who promote Black identity and pride through their work, we present Patrick Earl Hammie, an African-American visual artist. Patrick Earl Hammie is best known for his large-scale portrait and figurative paintings, which draw from art history and visual culture to examine cultural identity, social equity, and critical aspects of gender and race. Born in New Haven, Connecticut, he received his BA from Coker College and his MFA from the …

Oedipus Joins David C. Driskell Center Art Collection

March 26, 2018

This spring Oedipus joins the David C. Driskell Center’s Art Collection. The collection includes drawings, paintings, prints, mixed media, and sculptures, with works by artists such as Benny Andrews, Romare Bearden, Elizabeth Catlett, Aaron Douglas, David C. Driskell, Sam Gilliam, Jacob Lawrence, Keith Morrison, Faith Ringgold, Augusta Savage, William T. Williams, and Charles White. Many thanks to Executive Director Prof. Curlee Raven Holton and Deputy Director Dorit Yaron! It’s a great pleasure to join the collection.

Portraits of Who We Are

January 15, 2018

BY CURLEE R. HOLTON February 1, 2018 – May 18, 2018 RECEPTION: Thursday, February 1, 5pm – 7pm DAVID C. DRISKELL CENTER 1214 Cole Student Activities Building College Park, MD 20742 The David C. Driskell Center for the Study of the Visual Arts and Culture of African Americans and the African Diaspora at the University of Maryland is proud to announce its spring exhibition, Portraits of Who We Are, a group exhibition that focuses on self-portraits by African American artists and portraits of African American artists created by their colleagues. The exhibition includes more than 50 works that span from 1915 to 2017 …

Birth Throes

September 11, 2017

SOLO EXHIBITION October 6, 2017 – September 22, 2018 RECEPTION: Friday, October 6, 5pm – 8pm CONVERSATION: Sunday, October 8, 12:30 pm. KRUGER GALLERY 212 E San Antonio St. Marfa, TX 79843 Kruger Gallery and I are very pleased to announce and invite you to Birth Throes, my second solo exhibition with the gallery, debuting in Marfa during Chinati Weekend. Birth Throes is a new collection of portraits and allegories that meditate on the relationship between me and my mother, mortality, and the capacity for black experience to disrupt, diversify, and enrich American culture. Informed by personal experience, shifting American demographics that forecast a black and brown …

Puffin Foundation Grant

July 19, 2017

Renowned dancer, curator, and choreographer Endalyn Taylor and I are collaborating with five cross-generational ballerinas towards a multi media performance, exhibition, and symposium titled Counterpoint Project. This project will explore, discuss, and reframe the ongoing cultural and critical contributions of black ballerinas in dance and visual culture. I’m honored to announce that I have been awarded a Puffin Foundation grant to complete new work toward this goal! The Puffin Foundation (Teaneck, NJ) “has sought to open the doors of artistic expression by providing grants to artists and art organizations who are often excluded from mainstream opportunities due to their race, …

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