Creative Monday Magazine Interview

BY MILTON GEORGE A Q & A with Creative Monday Magazine. Read below or view original post. “Like the clay studies that classical sculptures were based on, I visualized an effort to reshape myself and propose the possibility of a new ideal, one positioned more as a work in progress than an achievable end.” I’M PATRICK EARL HAMMIE, AND THIS IS HOW I CREATE My name is Patrick Earl Hammie and I’m a visual artist who makes large-scale portrait and figural oil paintings. I draw from art history, visual culture, and personal experience to examine ideas related to cultural identity, masculinity, beauty, and …

Contact Joins JPMorgan Chase Collection

This fall Contact joins the JPMorgan Chase Art Collection. The Collection began in 1959 when David Rockefeller established the firm’s art program and took the lead in the field of corporate art collecting. Today it’s one of the oldest and largest corporate art collections in the world, focusing on modern and contemporary painting, sculpture, works on paper, and photography. Many thanks to Director and Chief Curator Lisa Erf! It’s a great pleasure to join such a storied collection.

Affordable Art Fair New York City

September 10 – 13, 2015 AFFORDABLE ART FAIR THE METROPOLITAN PAVILION 125 West 18th Street (between 6th and 7th Avenues) New York, NY 10011 Affordable Art Fair is looking forward to an exciting fall 2015 edition with over 70 local, national, and international galleries offering an array of original artwork from more than 1,000 artists. Come by booth 1.35 and meet me and the team, and pick up some new work! BUY TICKETS REPRESENTED BY EDGEWATER GALLERY BOOTH 1.35

Artists to Watch

BY TRACY SPENCER-STONESTREET International Review of African American Art Volume 25 Issue No 3 Order the Current Issue Quotes from Tracy Spencer-Stonestreet, Guest Editor. “As I contacted writers and artists for this issue, a question that came up repeatedly was ‘What do you mean by emerging?’ Excellent question. Like so many qualifiers applied to artists, the term ‘Emerging Artist’ has been adapted and applied in such different ways that its meaning has been compromised.” “Artists establish themselves not just through gallery representation or museum shows, but also through online journal, social networks, pop-up galleries, and other nontraditional spaces for exposure and exhibition.” “All …

The Artist’s Gaze: Seeing Women in the 21st Century

BY VICTORIA SELBACH February 21 – March 22, 2014 RECEPTION: Saturday, February 21, 6pm – 9pm SIRONA FINE ART 600 Silks Run, #1240 Hallandale Beach, FL 33009 The Artists Gaze: Seeing Women in the 21st Century brings together contemporary artists who through their unique gaze capture in their work the reality and complexity of the women they choose to see. The entire survey is published in the February 2015 issue of PoetsArtists magazine. PoetsArtists #61 The Artist’s Gaze: Seeing Women in the 21st Century is available for digital download and in print with a preview of the full issue on line now. The Artist’s Gaze features 70 works by over 40 artists including: Aleah Chapin, Alison Lambert, Alyssa …

Fixation

BY SERGIO GOMEZ AND DIDI MENENDEZ April 18 – May 11, 2014 RECEPTION: Friday, April 18, 7pm – 10pm ZHOU B ART CENTER 1029 W. 35th St. Chicago, IL 60609 Fixation is a group exhibition and a publication of art and poetry focused on the physical or psychological preoccupation or obsession over an object or subject. The exhibition is curated by Sergio Gomez of Chicago’s Zhou B Art Center and Didi Menendez of PoetsArtists Magazine. Order exhibition catalog on Amazon.

Q & A with 365 Days | 365 Artists

BY FRANK JUAREZ GALLERY + GREYMATTER GALLERY I recently participated in a Q & A collaborative project that features a new artist each day during 2014. Read below or view original post. PATRICK EARL HAMMIE – CHAMPAIGN, ILLINOIS 365 DAYS | 365 ARTISTS: Briefly describe the work you do. PATRICK EARL HAMMIE: Perhaps more than any other form of image-making, figurative painting has often been interpreted as a reflection of the values of period in which it is produced. My work investigates the expectations built into this canonical genre, probing and dismantling the idealizing impulses that have historically shaped it. I focus specifically on …